Well, I got the William Maughan book – Drawing the head – (right two heads below are copies from the book)
it's excellent, but is a specific method (2 colour pastel pencils = white and sanguine (caput martuum, in fact)) on toned paper (mid grey – strathmore velvet grey).
I also decided to try to further benefit from the Rob Liberace DVD – The portrait in 3 color chalk – by drawing along with him. Again it's a specific procedure – 3 colours of verithin pencils (sanguine (terra cotta, in fact), white and black) on a toned paper (watercolour – e.g. yellow ochre + shellac coat for a more 'toothy' surface). Here's my version of/from Rob Liberace's video tut.
The Prud'hon copies I was doing earlier are black and white chalk (chalk = pastel sticks or pastel pencils) on, according to Rebecca Alsofon's great Prud'hon tutorial, blue paper from 2 particular manufacturers.
It seems to me that, at present, I prefer to draw with those solid graphite type 'pencils', preferably 6B (I don't know what you call them – leads? sticks?). Coming from painting and the use of a brush as I do, the fact that you can layer in tone and mass with them really suits me – I guess what I really love to use is charcoal – but I have a problem with the fact that it's hard to get fine lines with it and its messiness... ... I think that for people who know what they're doing (e.g. Scott Burdick, Susuan Lyon), it must be the king of drawing media.
Back to the toned paper – it occurs to me that rather than having to order special papers you could just as easily tone the paper with a pastel rub-in (I mean, if you're going to use colour in drawing, pastels are the obvious thing to use) or a water colour wash à la Liberace (you can even erase through to the white of paper as water colour lifts off – one reason for not replacing it with acrylic. Hmm, must get me some shellac.
PS If you don't know him, I suggest a visit to Adebanji's blog
PS If you don't know him, I suggest a visit to Adebanji's blog















